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Iparterv actions and exhibitions

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Dates: 29 November 1968 (Do You See What I See) , 22 December 1968 (Iparterv I), 24  October 1969 (Iparterv II)

Participants: Imre Bak, András Baranyay, Miklós Erdély, Krisztián Frey, Tamás Hencze, György Jovánovics, Ilona Keserü, Gyula Konkoly, László Lakner, János Major, László Méhes, Sándor Molnár, István Nádler, Ludmil Siskov, Tamás Szentjóby, Endre Tót

Organizer: Péter Sinkovits (1943)

Opening by: János Tölgyesi (Iparterv I)

Location: Iparterv State Architectural Office, meeting hall, Budapest

Tamás Szentjóby planned an exhibition entitled “Donor” in July 1968, in the Iparterv State Architectural Office, but it was cancelled after the invitation leaflet was printed and distributed. Three months later and three weeks before the famous first Iparterv exhibition he organized actions entitled  “Do You See What I See”  in the same location with Miklós Erdély and László Méhes. In the “Iparterv 68-80″ catalog issued in 1980 Erdély described these actions as his connection to the Iparterv group.

The hall of the Iparterv Office was not used regularly for exhibitions and the shows were open only for a few days. The first famous group show presenting the “first generation of the neo-avantgarde” in 1968  was accompanied by a small catalog containing a short introduction by the curator, Péter Sinkovits and the reproduction of the works and the CVs of the participants.

In 1969 four more artists, András Baranyay, László Méhes, János Major, and Tamás Szentjóby accepted Sinkovits’ invitation.  A year later a catalog was printed illegally in the printing house of the Iparterv Office with a slightly different list of artists (Tamás Szentjóby and Sándor Molnár was left out, Miklós Erdély and Attila Pálfalusi included).

In 1980 a commemorating exhibition was initiated by art historian László Beke (1944) and Lóránd Hegyi (1954). On this occasion a comprehensive English-Hungarian publication was issued containing several studies and also documents of the previous exhibitions in addition to the works of the participants.  Finally, shortly before the Regime Change, in December 1988 a three-part “Hommage à Iparterv” series was organized in the Fészek Gallery by Lóránd Hegyi.

Documents:

Péter Sinkovits: Introduction of the publication Document 69–70 (1970)

Miklós Erdély describing the actions performed by him (1980)


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Permanent Anti-Gallery – series of exhibitions

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Date: 1968-1969

Participants and organizers: Július Koller (b. 1939), Peter Bartoš (b. 1938)

Location: The display window of the Hosiery Express Repair shop – Výklad komunálnej rýchloopravy pančúch, Bratislava, Czechoslovakia

Let’s imagine a pedestrian casually walking along Klobúčnicka Street in Bratislava near the end of 1968. It’s late November; traces of the August disturbances that were provoked by the occupying army invasion are still visible. The display window of the communal Hosiery Express Repair shop becomes an exhibition space for ”anti-pictures” by Július Koller and photo paintings by Peter Bartoš. Koller and Bartoš continue to exhibit their work regularly here between 1968–69. For the two young artists, this presentation of their own work in an informal setting dissolved the boundaries between art, advertising, and merchandise. The exhibition space was called the Display Window or The Permanent Anti-gallery. Although not their most their spectacular show, in terms of their later work, it represented a crucial shift toward presenting work and ideas in a non-traditional way, in alternative exhibition spaces..


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