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Su-terén / The Basement – collective exhibition

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Date: 14–28 February 1989

Participants and organizers: Milan Adamčiak (b. 1946), Július Koller (1939-2007), Matej Krén (b. 1958), Radislav Matuštík (1929-2006), Peter Meluzin (b. 1947), Milan Pagáč (b. 1960), Peter Rónai (b. 1953), Viktor Oravec (b. 1960), Jana Želibská (b. 1941)

Curator: Radislav Matuštík

Location: Konventná 14, Bratislava, Czechoslovakia

The exhibition was conceived by Peter Meluzin as an Action art piece that would end up in a collective exhibition. Action artists made it known that a new artistic trend was emerging in the heyday of the Neue Wilde movement. In order for this to be true, it was essential that the artworks presented in this show were of a high standard. Radislav Matuštík accepted the role of curator, and most of the participants were Action artists, associated with the group called Terén/Terrain. The entire exhibition, from start to finish, required both conceptual and organizational planning in order to realize the project. This included: discussions with artists;  the search for an appropriate location; structural adjustments to the exhibition venue; realization of objects and installations for the show; documentation of the entire process from the initial planning stages to the exhibition opening; press coverage; film journal; catalog printing, etc.

(Exhibition notes according Peter Meluzin.)


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Panarama – exhibition

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Date: 13 October–4 December 1989

Participants: Individual artists and artist groups such as Galina, Kvadrat, BLO, Forma, Pluralis, Komi-Kon, Bismark, and others

Organized by: Belarusian Cultural Fund (BFK)

Location: Empty house on Handlevaya Street, Minsk

The exhibition “Panarama,” organized by the Belarusian Cultural Fund, was held in an old deserted house on Handlevaya Street in Minsk. It was a very significant event of the decade. Paintings and installations exhibited in empty apartments  created an atmosphere of artistic underground. Performances by Belarusian and international artists happened throughout the exhibition. The exhibition catalog “First Survey of Belarus Non-Official Art” was later published. In his introductory article, the artist Ales Taranovich wrote:

“To answer to the question asked by the Belarusian Cultural fund, ‘What kind of exhibition would you like to see the most?,’ the majority of the audience answered, ‘unofficial art.’ When making the decision to organize this exhibition, BFK’s goal was to show the direction that contemporary Belarus art was going by that showcasing the presence of non-Realist traditions: Expressionism, Surrealism, Conceptualism, Pop art, installation, performance, and others.”

Source: Volha Archipava. Belarusian Avant-garde of the 1980s. ‘pARTisan’s Collection’ series. Minsk 2012. http://partisanmag.by/


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