Iparterv actions and exhibitions

Author: Dóra Hegyi - Zsuzsa László
Keywords: abstract art, avant-garde, censorship, non-art venue, painting, performative practices, poetry, pop art, semi-public event

Dates: 29 November 1968 (Do You See What I See), 22 December 1968 (Iparterv I), 24 October 1969 (Iparterv II)

Participants: Imre Bak, András Baranyay, Miklós Erdély, Krisztián Frey, Tamás Hencze, György Jovánovics, Ilona Keserü, Gyula Konkoly, László Lakner, János Major, László Méhes, Sándor Molnár, István Nádler, Ludmil Siskov, Tamás Szentjóby, Endre Tót

Organizer: Péter Sinkovits (Iparterv I and II)

Opening by: János Tölgyesi (Iparterv I)

Location: Iparterv State Architectural Office, meeting hall, Budapest

Tamás Szentjóby planned an exhibition entitled “Donor” in July 1968, in the Iparterv State Architectural Office, but it was cancelled after the invitation leaflet was printed and distributed. Three months later and three weeks before the famous first Iparterv exhibition he organized actions to be presented in the same location with Miklós Erdély and László Méhes entitled “Do You See What I See.” In the “Iparterv 68-80” catalog issued in 1980 Erdély described these actions as his connection to the Iparterv group.

The hall of the Iparterv Office was not used regularly for exhibitions and the shows were open only for a few days. The first famous group show presenting the “first generation of the neo-avantgarde” in 1968  was accompanied by a small catalog containing a short introduction by the curator, Péter Sinkovits and the reproduction of the works and the CVs of the participants.

In 1969 four more artists, András Baranyay, László Méhes, János Major, and Tamás Szentjóby accepted Sinkovits’ invitation.  A year later a catalog was printed illegally in the printing house of the Iparterv Office with a slightly different list of artists (Tamás Szentjóby had a separate flyer placed in the catalog, Sándor Molnár was left out, Miklós Erdély and Attila Pálfalusi included).

In 1980 a commemorating exhibition was initiated by art historian László Beke (1944) and Lóránd Hegyi (1954). On this occasion a comprehensive English-Hungarian publication was issued containing several studies and also documents of the previous exhibitions in addition to the works of the participants.  Finally, shortly before the Regime Change, in December 1988 a three-part “Hommage à Iparterv” series was organized in the Fészek Gallery by Lóránd Hegyi.

Documents:

Péter Sinkovits: Introduction of the publication Document 69–70 (1970)

Miklós Erdély describing his connection to the Iparterv Group (1980)

Meeting of Czech, Slovak, and Hungarian artists – exhibition, actions

Author: Dóra Hegyi - Zsuzsa László
Keywords: collective practices, conceptual art, international network, performative practices, photography, political reflection, semi-public event

Date: 26 August 1972

Participants: Imre Bak, Peter Bartoš, László Beke, Miklós Erdély, Stano Filko, György Galántai, Péter Halász, Béla Hap, Ágnes Háy, Tamás Hencze, György Jovánovics, J. H. Kocman, Péter Legéndy, János Major, László Méhes, Gyula Pauer, Vladjimir Popović, Petr Štembera, Rudolf Sikora, Tamás Szentjóby, Anna Szeredi, Endre Tót, Péter Türk, Jiři Valoch

Organized by: László Beke (1944)

Location: Chapel Studio of György Galántai, Balatonboglár

During the two-day meeting an exhibition and various actions were organized by László Beke, who invited artists from Czechoslovakia and Hungary to create contacts with each other.

Documents:

Interview with László Beke (1998)

Interview with Gyula Pauer (1998)

György Galántai’s diary (1972)

Source: Törvénytelen avantgárd. Galántai György balatonboglári kápolnaműterme 1970–1973 [Illegal Avant-garde, the Balatonboglár Chapel Studio of György Galántai 1970–1973], eds. Júlia Klaniczay and Edit Sasvári  (Artpool–Balassi, Budapest, 2003):  141-3.

László Beke, Miklós Erdély, György Jovánovics, Péter Legéndy, János Major, Gyula Pauer, and Tamás Szentjóby – exhibition and actions

Author: Dóra Hegyi - Zsuzsa László
Keywords: avant-garde, collaboration, conceptual art, environment / installation, irony, non-conformist art, semi-public event, site-specificity

Date: 24 June 1973

Participants: László Beke (1944), Miklós Erdély (1928-1986), György Jovánovics(1939), Péter Legéndy (1948), János Major (1936-2008), Gyula Pauer (1941), Tamás Szentjóby (1944)

Location: Chapel Studio of György Galántai, Balatonboglár

This exhibition – presented two months before the Chapel Studio was occupied and closed by the police – did not have any title and was completed spontaneously with works and actions during two weeks. The works exhibited were used as props for theatrical performances in the next few weeks.

Documents:

Miklós Erdély: What is avantgardism? (1973)

Tamás St. Auby – interview (1998)

György Jovánovics – interview (1998)

Source: Törvénytelen avantgárd. Galántai György balatonboglári kápolnaműterme 1970–1973 [Illegal Avant-garde, the Balatonboglár Chapel Studio of György Galántai 1970–1973], eds. Júlia Klaniczay and Edit Sasvári  (Artpool–Balassi, Budapest, 2003): 150-5.