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Three Women – exhibition

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Date: 6–23 February 1978

Participants: Anna Bednarczuk, Izabella Gustowska, and Krystyna Piotrowska

Location: BWA Poznań “Arsenał”[1]

The first articles exploring the phenomenon of feminist art in Western Europe and the United States were published in Polish art magazines around 1980.[2] In those times the first minor exhibitions of feminist art appeared—exhibitions of the type “women choose women,” curated by artists who also took part in them. The first genuine feminist exhibition was “Three Women” with the participation of Poznań-based artists, in the city gallery of art. The title of the show was probably inspired by the title of Robert Altman’s movie of the same name. A catalog was also published with the biographical notes of the participants, reproductions of their most significant self-portraits shown (among others) in the gallery, and with the collage of their artworks and inspirations. During the opening, hostesses dressed in Playboy-bunny costumes served a cake in the form of a female breast, which gives the ironical frame to the art pieces that were very conscious of the category of masquerade and the cultural impact on sexed subjects, made with the usage of embroidery, lingerie, and other so-called female attributes. Self-portraits by Anna Bednarczuk made as reduced fabrics, Krystyna Piotrowska’s Better Face in Your Mirror?—a kind of drawing and graphic catalog of faces and their parts—and Izabella Gustowska’s photos and photomontages of female bodies and flowers were on display, among others.

After the show only one review was published in the local press and the exhibition passed without a bigger impact on Polish art. It only appeared recently in the catalog text of the “Three Women” (conscious reference) exhibition of Ewa Partum, Natalia LL, and Maria Pinińska-Bereś, curated by Ewa Toniak, that opened in 2011 in the Zachęta National Gallery of Art in Warsaw.


[1] Biuro Wystaw Artystycznych [Office of Art Exhibitions] was the name of the city galleries in Poland in the ’80s.

[2] S. Morawski, “Neofeminizm w sztuce,” Sztuka 4 (1977): and B. Baworowska, “Wystawa sztuki feministycznej w Holandii,” Sztuka 3 (1980). After her residency in New York in 1977, Natalia LL appeared in 1978 with a cycle of gallery lectures on feminist-art phenomena.


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