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On Kalektarnaya – exhibition

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Date: SeptemberNovember 1987

Participants: Aliaksej Zhdanau, Todar Kopsha, Artur Klinau, Andrej Pliasanau, Vital Razhkou

Organizer: Forma, the alternative artists collective

Location: Minskgramadzanproject Institute, Kalektarnaya street, Minsk

This exhibition introduced a non-conformist approach to space organization. It stirred up an official criticism resulted in several attempts to close down the show. A telegram asking for support was sent to Raisa Gorbacheva (the wife of the head of the USSR government). It read: “Dear Mrs. Raisa Gorbacheva! The first exhibition of young painters was opened in Minsk but the authorities are trying to shut it down. Please, protect our cultural endeavors!”

DocumentNataliya TATUR: Exhibition on Kalektarnaya, 4—Fragments From the Book of Remembrance (2004)

Source: Volha Archipava. Belarusian Avant-garde of the 1980s. ‘pARTisan’s Collection’ series. Minsk 2012. http://partisanmag.by/


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The Art Holiday. Narva-88 – seminar on non-official art

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Date: 21–30 May, 1988

Participants: Artists from Belarus, Russia, Georgia, Armenia, and Kyrgyzstan. Belarusian artists Andrej Bialou, Aliaksander Zabauchyk, Ihar Kashkurevich, Yauhen Kirylau, Artur Klinau, Uladzimir Lapo, Valer Martynchyk, Viktar Piatrou, Vital Razhkou, Ludmila Rusava, and  Dzmitry Yarmilau.

Organizer: Department of Culture of Narva Gorispolkom (the city’s Executive Committee) of Estonian SSR, and curator Ninel Ziterava

Location: Narva, Estonia

The USSR seminar on non-official art that took place in in Narva, Estonia, was titled “The Art Holiday. Narva-88,” and was organized by the Department of Culture of Narva Gorispolkom (the city’s Executive Committee) of Estonian SSR and curator Ninel Ziterava. Participants included artists from Belarus, Russia, Georgia, Armenia, and Kyrgyzstan. The seminar included individual performances by artists, spontaneous collaborations between artists to make outdoor installations, site-specific sculptures, and other forms of visual art. It was first time that Belarusian avant-garde artists had participated in a large art festival in the Soviet Union—this was made possible thanks to Perestroika, a political movement for reformation. During the festival, Belarusian artists who usually felt isolated from those artists working in other Soviet countries, were able to introduce their artwork to their peers from other parts of the USSR, to make connections, and to become part of the larger network of non-official, avant-garde artists. Some fruitful, international collaborations between artists formed at this historic festival stayed viable for many years after.

Sourcehttp://partisanmag.by/


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