Street – exhibition by Erzsébet Schaár
Author: Dóra Hegyi - Zsuzsa László
Keywords: avant-garde, documentary film, environment / installation, sculpture
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- Poster of the exhibition (courtesy of Szent István Király Museum)
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- Erzsébet Schaár installing the exhibition Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- Erzsébet Schaár installing the exhibition Photo: János Gulyás (János Gulyás and courtesy of Szent István Király Museum)
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- Erzsébet Schaár installing the exhibition Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- The opening Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- The opening Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- The exhibition Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- The exhibition Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- Pieces from the installation Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- Pieces from the installation Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- Pieces from the installation Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- Pieces from the installation Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- Detail from the exhibition. Photo: János Gulyás (courtesy of János Gulyás and Szent István Király Museum)
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- The cover of the catalogue
Date: 23 June 1974
Participant: Erzsébet Schaár (1908-1975)
Opening by: János Pilinszky (1921-1981)
Location: Csók István Gallery, Székesfehérvár
The last exhibition of Erzsébet Schaár was accompanied by a catalog containing the poems of János Pilinszky coupled with the art pieces, next to which they were read out at the opening. The process of building the exhibition and the opening was filmed by János Gulyás (1946). The installation was later displayed in Lucerne and then, finally, in Pécs, where the temporal styrofoam components of the sculptures were replaced with pieces made of concrete. Géza Perneczky writes about Schaár in his comprehensive essay about the Iparterv group and the Neo-Avant-Garde in Hungary.
Document: Géza Perneczky on Erzsébet Schaár (1996)
