Rusovce – cross generation friendly meeting by lake (another of the many attempts to be invisible)

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1/61Peter Bartoš has come to the lake with ecological issues, 4 August 1978 / Peter Bartoš prišiel k jazeru s ekologickou problematikou (Photo from the archive of Ľubomír Ďurček)

1/61Juraj Mihalík (Photo from the archive of Ľubomír Ďurček)

1/61A — B (Photo from the archive of Ľubomír Ďurček)

1/61Preparing to strike / Príprava k úderu (Photo from the archive of Ľubomír Ďurček)

1/61Sculptural or achaeological precision / Sochárska alebo archeologická presnosť (Photo from the archive of Ľubomír Ďurček)

1/61Juraj Mihalík, sculptor, holds a newspaper / Noviny drží Juraj Mihalík, sochár (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61End of a conversation / Koniec rozhovoru (Photo from the archive of Ľubomír Ďurček)

1/61A sculpture by Vladimír Havrilla / Socha Vladimíra Havrillu (Photo from the archive of Ľubomír Ďurček)

1/61Vladimír Havrilla reveals his sculpture / Vladimír Havrilla zviditeľňuje svoju sochu (Photo from the archive of Ľubomír Ďurček)

1/61Water as sculptural material and medium / Voda jako sochársky materiál a médium (Photo from the archive of Ľubomír Ďurček)

1/61Ľubomír Ďurček: Self-portrait with potholer’s goggles / Ľubomír Ďurček, Autoportrét s potápačskými okuliarmi (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61Archeologist Ladislav Snopko talks about taking a stone in one’s hand / Archeológ Ladislav Snopko hovorí o kameni do ruky (Photo from the archive of Ľubomír Ďurček)

1/61Once more on the haptic / Ešte raz o haptike (Photo from the archive of Ľubomír Ďurček)

1/61The third of all holds / Tretí, zo všetkých úchytov (Photo from the archive of Ľubomír Ďurček)

1/61Only a small part of today’s texts / Iba malá časť dnešných textov (Photo from the archive of Ľubomír Ďurček)

1/61One of the authors of the lake book / Jeden z autorov jazernej knihy (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61Gerulata, part of a Roman fortress / Gerulata, časť rímskeho opevnenia (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61Gerulata, underground / Gerulata, spod zeme (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

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1/61Vladimír Havrilla distributes microten bags, 7 August 1978 / Vladimír Havrilla prideľuje mikrotenové vrecká (Photo from the archive of Ľubomír Ďurček)

1/61Sculptor Juraj Mihalík makes his fountain operational / Sochár Juraj Mihalík predvádza svoju fontánu (Photo from the archive of Ľubomír Ďurček)

1/61Somewhere apart, Stano Filko is sketching and writing on microten bags / Stano Filko niekde v ústraní kreslil a písal na mikroténové sáčky (Photo from the archive of Ľubomír Ďurček)

1/61Afterwards he turned them over / Potom ich obrátil naruby (Photo from the archive of Ľubomír Ďurček)

1/61Ladislav Snopko speaks about archaeology / Ladislav Snopko hovorí o archeológii (Photo from the archive of Ľubomír Ďurček)

1/61The sculptor who creates sculptures can himself be a sculpture, says Ľubomír Ďurček / Sochár, ktorý vytvára sochy, môže byť sám sochou – hovorí Ľubomír Ďurček (Photo from the archive of Ľubomír Ďurček)

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1/61(Photo from the archive of Ľubomír Ďurček)

1/61Juraj Mihalík thinking over another kind of sculpture / Juraj Mihalík uvažuje o inom druhu plastiky (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61Sociology and sculpture before their action / Sociológia a sochárstvo pred svojou akciou (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

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1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61Once again on the secrets of archaeology in the present / Ešte raz o tajomstvách archeológie v prítomnosti (Photo from the archive of Ľubomír Ďurček)

1/61Ľubomír Ďurček looks at this world through a microten bag /Ľubomír Ďurček sa díva na tento svet cez mikrotenový sáčok (Photo from the archive of Ľubomír Ďurček)

1/61One more look towards the sun / Ešte jeden pohľad smerom k slnku (Photo from the archive of Ľubomír Ďurček)

1/61Painter Ľubomír Ďurček looks through a microten bag at himself / Maliar Ľubomír Ďurček sa díva cez mikroténový sáčok na seba (Photo from the archive of Ľubomír Ďurček)

1/61Ďurček: Enclave / Ďurček – Enkláva (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61Vladimír Havrilla concludes the lakeside meeting / Vladimír Havrilla ukončuje stretnutie při jazere (Photo from the archive of Ľubomír Ďurček)

1/61Vladimír Havrilla fashioning water / Vladimír Havrilla modeluje vodu (Photo from the archive of Ľubomír Ďurček)

1/61(Photo from the archive of Ľubomír Ďurček)

1/61Invisibility within reach / Neviditeľnosť na dosah (Photo from the archive of Ľubomír Ďurček)

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By a lake in Bratislava, participants created mini events and ephemeral artworks out of materials found at the location, including pebbles, stones, plastic, etc. The event was initiated by Ľubomír Ďurček, a conceptual artist, performer, filmmaker, and author of experimental texts and books. The entire event was documented in a series of black-and-white photographs taken by participants.

In comments made Ďurček about the event, he points said that situations created did not necessarily correspond to reality.