{"id":789,"date":"1973-06-24T11:20:53","date_gmt":"1973-06-24T11:20:53","guid":{"rendered":"https:\/\/tranzit.org\/?p=789"},"modified":"2022-03-03T14:11:42","modified_gmt":"2022-03-03T14:11:42","slug":"laszlo-beke-miklos-erdely-gyorgy-jovanovics-peter-legendy-janos-major-gyula-pauer-and-tamas-szentjoby-exhibition-and-actions","status":"publish","type":"post","link":"https:\/\/tranzit.org\/exhibitionarchive\/laszlo-beke-miklos-erdely-gyorgy-jovanovics-peter-legendy-janos-major-gyula-pauer-and-tamas-szentjoby-exhibition-and-actions\/","title":{"rendered":"L\u00e1szl\u00f3 Beke, Mikl\u00f3s Erd\u00e9ly, Gy\u00f6rgy Jov\u00e1novics, P\u00e9ter Leg\u00e9ndy, J\u00e1nos Major, Gyula Pauer, and Tam\u00e1s Szentj\u00f3by – exhibition and actions"},"content":{"rendered":"
\"Mikl\u00f3s<\/a>
1\/6<\/span>Mikl\u00f3s Erd\u00e9ly - Gy\u00f6rgy Jov\u00e1novics - J\u00e1nos Major: \u201cJ\u00e1nos Major\u2019s Coat\u201d\nPhoto: Gy\u00f6rgy Gal\u00e1ntai (courtesy of Artpool Art Research Centre)<\/div><\/div>
\"Mikl\u00f3s<\/a>
1\/6<\/span>Mikl\u00f3s Erd\u00e9ly in the Chapel, above his work \u201cGod is Little\u201d,\nin the background \u201cJ\u00e1nos Major\u2019s Coat\u201d\nPhoto: J\u00falia Veres (courtesy of Artpool Art Research Centre)<\/div><\/div>
\"J\u00e1nos<\/a>
1\/6<\/span>J\u00e1nos Major as a living tomb\nPhoto: Gy\u00f6rgy Gal\u00e1ntai\n(courtesy of Artpool Art Research Centre)<\/div><\/div>
\"J\u00e1nos<\/a>
1\/6<\/span>J\u00e1nos Major as a living tomb\nPhoto: Gy\u00f6rgy Gal\u00e1ntai\n(courtesy of Artpool Art Research Centre)<\/div><\/div>
\"J\u00e1nos<\/a>
1\/6<\/span>J\u00e1nos Major as a living tomb\nPhoto: Gy\u00f6rgy Gal\u00e1ntai\n(courtesy of Artpool Art Research Centre)<\/div><\/div>
\"Tam\u00e1s<\/a>
1\/6<\/span>Tam\u00e1s Szentj\u00f3by in front of his work \u201cBe forbidden!\u201d\nPhoto: Gy\u00f6rgy Gal\u00e1ntai (courtesy of Artpool Art Research Centre)<\/div><\/div><\/div>\n

This exhibition \u2013 presented two months before the Chapel Studio was occupied and closed by the police \u2013 did not have any title and was completed spontaneously with works and actions during two weeks. The works exhibited were used as props for theatrical performances in the next few weeks.<\/p>\n

Documents:<\/strong><\/p>\n

Mikl\u00f3s Erd\u00e9ly:\u00a0What is avantgardism? (1973)<\/a><\/p>\n

Tam\u00e1s St. Auby \u2013 interview (1998)<\/a><\/p>\n

Gy\u00f6rgy Jov\u00e1novics \u2013 interview (1998)<\/a><\/p>\n

Source: <\/strong>T\u00f6rv\u00e9nytelen avantg\u00e1rd. Gal\u00e1ntai Gy\u00f6rgy balatonbogl\u00e1ri k\u00e1polnam\u0171terme 1970\u20131973 [Illegal Avant-garde, the Balatonbogl\u00e1r Chapel Studio of Gy\u00f6rgy Gal\u00e1ntai 1970\u20131973],<\/em> eds.\u00a0J\u00falia\u00a0Klaniczay and\u00a0Edit\u00a0Sasv\u00e1ri\u00a0\u00a0(Artpool\u2013Balassi, Budapest, 2003): 150-5.<\/p>\n","protected":false},"excerpt":{"rendered":"

This exhibition \u2013 presented two months before the Chapel Studio was occupied and closed by the police \u2013 did not have any title and was completed spontaneously with works and actions during two weeks. The works exhibited were used as props for theatrical performances in the next few weeks. Documents: Mikl\u00f3s Erd\u00e9ly:\u00a0What is avantgardism? (1973) […]<\/p>\n","protected":false},"author":2,"featured_media":794,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"keywords":[239,48,82,55,122,124,50,97,125],"locations":[15,14],"persons":[241,85,106,107,129,86],"acf":[],"_links":{"self":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts\/789"}],"collection":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/comments?post=789"}],"version-history":[{"count":1,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts\/789\/revisions"}],"predecessor-version":[{"id":2046,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts\/789\/revisions\/2046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/media\/794"}],"wp:attachment":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/media?parent=789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/categories?post=789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/tags?post=789"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/keywords?post=789"},{"taxonomy":"locations","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/locations?post=789"},{"taxonomy":"persons","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/persons?post=789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}