{"id":864,"date":"1974-06-23T15:03:08","date_gmt":"1974-06-23T15:03:08","guid":{"rendered":"https:\/\/tranzit.org\/?p=864"},"modified":"2022-03-03T14:10:21","modified_gmt":"2022-03-03T14:10:21","slug":"street-exhibition","status":"publish","type":"post","link":"https:\/\/tranzit.org\/exhibitionarchive\/street-exhibition\/","title":{"rendered":"Street – exhibition by Erzs\u00e9bet Scha\u00e1r"},"content":{"rendered":"
\"Poster<\/a>
1\/14<\/span>Poster of the exhibition (courtesy of Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"Erzs\u00e9bet<\/a>
1\/14<\/span>Erzs\u00e9bet Scha\u00e1r installing the exhibition\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"Erzs\u00e9bet<\/a>
1\/14<\/span>Erzs\u00e9bet Scha\u00e1r installing the exhibition\nPhoto: J\u00e1nos Guly\u00e1s (J\u00e1nos Guly\u00e1s and courtesy of Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"Erzs\u00e9bet<\/a>
1\/14<\/span>Erzs\u00e9bet Scha\u00e1r installing the exhibition\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"The<\/a>
1\/14<\/span>The opening\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"The<\/a>
1\/14<\/span>The opening\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"The<\/a>
1\/14<\/span>The exhibition\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"The<\/a>
1\/14<\/span>The exhibition\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"Pieces<\/a>
1\/14<\/span>Pieces from the installation\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"Pieces<\/a>
1\/14<\/span>Pieces from the installation\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"Pieces<\/a>
1\/14<\/span>Pieces from the installation\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"Pieces<\/a>
1\/14<\/span>Pieces from the installation\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly Museum)<\/div><\/div>
\"Detail<\/a>
1\/14<\/span>Detail from the exhibition.\nPhoto: J\u00e1nos Guly\u00e1s (courtesy of J\u00e1nos Guly\u00e1s and Szent Istv\u00e1n Kir\u00e1ly\nMuseum)<\/div><\/div>
\"The<\/a>
1\/14<\/span>The cover of the catalogue<\/div><\/div><\/div>\n

The last exhibition of Erzs\u00e9bet Scha\u00e1r was accompanied by a catalog containing the poems of J\u00e1nos Pilinszky coupled with the art pieces, next to which they were read out at the opening. The process of building the exhibition and the opening was filmed by J\u00e1nos Guly\u00e1s (1946). The installation was later displayed in Lucerne and then, finally, in P\u00e9cs, where the temporal styrofoam components of the sculptures were replaced with pieces made of concrete. G\u00e9za Perneczky writes about Scha\u00e1r in his comprehensive essay about the Iparterv group and the Neo-Avant-Garde in Hungary.<\/p>\n

Document:<\/strong> G\u00e9za Perneczky on Erzs\u00e9bet Scha\u00e1r (1996)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The last exhibition of Erzs\u00e9bet Scha\u00e1r was accompanied by a catalog containing the poems of J\u00e1nos Pilinszky coupled with the art pieces, next to which they were read out at the opening. The process of building the exhibition and the opening was filmed by J\u00e1nos Guly\u00e1s (1946). The installation was later displayed in Lucerne and […]<\/p>\n","protected":false},"author":2,"featured_media":875,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"keywords":[48,99,122,264],"locations":[14,17],"persons":[265],"acf":[],"_links":{"self":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts\/864"}],"collection":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/comments?post=864"}],"version-history":[{"count":1,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts\/864\/revisions"}],"predecessor-version":[{"id":2045,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts\/864\/revisions\/2045"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/media\/875"}],"wp:attachment":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/media?parent=864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/categories?post=864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/tags?post=864"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/keywords?post=864"},{"taxonomy":"locations","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/locations?post=864"},{"taxonomy":"persons","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/persons?post=864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}