{"id":979,"date":"1975-12-06T12:07:48","date_gmt":"1975-12-06T12:07:48","guid":{"rendered":"https:\/\/tranzit.org\/?p=979"},"modified":"2021-03-16T12:52:52","modified_gmt":"2021-03-16T12:52:52","slug":"event-harku-75-objects-concepts","status":"publish","type":"post","link":"https:\/\/tranzit.org\/exhibitionarchive\/event-harku-75-objects-concepts\/","title":{"rendered":"Event Harku \u201975 &#8211; Objects, Concepts"},"content":{"rendered":"<div class=\"c-gallery\"><div class=\"c-gallery__item \"><a class=\"c-gallery__link\" href=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku-751.jpg\" ><img class=\"c-gallery__image lazyload\" src=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku-751-16x10.jpg\" data-src=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku-751.jpg\" data-bp=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku-751.jpg\" alt=\"Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko\"  data-caption=\"Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko\" \/><\/a><div class=\"c-gallery__caption\"><span>1\/4<\/span>Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko<\/div><\/div><div class=\"c-gallery__item c-gallery__item--hidden\"><a class=\"c-gallery__link\" href=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_meel_12_75.jpg\" ><img class=\"c-gallery__image lazyload\" src=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_meel_12_75-16x11.jpg\" data-src=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_meel_12_75.jpg\" data-bp=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_meel_12_75.jpg\" alt=\"Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko\"  data-caption=\"Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko\" \/><\/a><div class=\"c-gallery__caption\"><span>1\/4<\/span>Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko<\/div><\/div><div class=\"c-gallery__item c-gallery__item--hidden\"><a class=\"c-gallery__link\" href=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_piletid_12_75.jpg\" ><img class=\"c-gallery__image lazyload\" src=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_piletid_12_75-16x11.jpg\" data-src=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_piletid_12_75.jpg\" data-bp=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_piletid_12_75.jpg\" alt=\"Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko\"  data-caption=\"Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko\" \/><\/a><div class=\"c-gallery__caption\"><span>1\/4<\/span>Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko<\/div><\/div><div class=\"c-gallery__item c-gallery__item--hidden\"><a class=\"c-gallery__link\" href=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_vaade_12_75.jpg\" ><img class=\"c-gallery__image lazyload\" src=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_vaade_12_75-16x11.jpg\" data-src=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_vaade_12_75.jpg\" data-bp=\"https:\/\/tranzit.org\/exhibitionarchive\/wp-content\/uploads\/2021\/03\/harku_vaade_12_75.jpg\" alt=\"Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko\"  data-caption=\"Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko\" \/><\/a><div class=\"c-gallery__caption\"><span>1\/4<\/span>Exhibition view. Photo: Jaan Kl\u00f5\u0161eiko<\/div><\/div><\/div>\n<p>Scientific institutions often offered spaces for alternative art exhibitions. Two years earlier, in 1973, another exhibition was held at the Agricultural Research Center in Saku, near Tallinn.<\/p>\n<p>This exhibition is considered to have been the last unofficial show in Soviet Estonia. The exhibition itself, like unofficial shows in general, was eclectic and presented such diverse trends as Pop Art along with the most influential developments in Estonian alternative art since the late 1960s\u2014kinetic objects, concrete poetry, and geometric abstraction. The few surviving photographs documenting the exhibition show a lively, slightly chaotic environment: oversized packets of Georgian tea hang from the ceiling (Jaan Ollik and Villu J\u00e4rmut); in the middle of the space Sirje Runge\u2019s <em>Altar<\/em> displays a colorful geometric pattern; nearby is Kaarel Kurismaa \u201cchamber fountain\u201d\u2014a round side table with a cubic basin mounted on its top: etc. At the opening, Mess performed\u2014the first Estonian progressive-rock group, famous for their interdisciplinary approach and collaboration with the artist Kurismaa.<\/p>\n<p>Although the Artists\u2019 Union gave permission for Leonhard Lapin and Raul Meel to present and discuss their work with young scientists\u2014the event was officially announced as a meeting of young artists and junior researchers\u2014the show created a scandal as more artists, mainly graduates of the State Art Institute, were invited.<a href=\"#_ftn1\">[1]<\/a><\/p>\n<p>On the last day of the exhibition a seminar was held with participating artists, physicists, and writers. Being the most relevant tendency in contemporary art, the main topic of discussion was Conceptualism. More generally, issues were raised concerning the role and function of art and artists in society. The significance of this exhibition differentiates it from previous unofficial art shows: rather than being simply the typical compilation of progressive works of varying focus, it aimed to relate art, the role of art, and the changing context of art production.<\/p>\n<p>In his speech, Lapin presented the notion of \u201cobjective art\u201d as the future of art practice. Lapin called for a new art of forms based on, and developed in accordance with, contemporary industrial reality and technological progress. For Lapin, changes in the environment (particularly industrialization) and developments in technology would introduce completely new environments and means of production and communication, and had fundamentally changed the concept of art and the role of the artist. The main goal of this new objective art was to create an integrated aesthetic environment. Art was to overcome the boundaries between the various disciplines of painting, sculpture, and architecture, and would encompass a variety of techniques, notably in multimedia and electronics. A year later a compilation of the exhibition presentations was edited and independently published in a typewritten manuscript by Meel titled <em>Let a Man Be<\/em>.<\/p>\n<p>Only one review of the show was published, in the University of Tartu\u2019s newspaper. The announcement of the opening was published in the weekly cultural newspaper <em>Sirp ja Vasar<\/em>, causing resentment from the Artists\u2019 Union.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scientific institutions often offered spaces for alternative art exhibitions. Two years earlier, in 1973, another exhibition was held at the Agricultural Research Center in Saku, near Tallinn. This exhibition is considered to have been the last unofficial show in Soviet Estonia. The exhibition itself, like unofficial shows in general, was eclectic and presented such diverse [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"keywords":[96,55,88,262,153,230,102,94],"locations":[31,32],"persons":[315,115,179,180,127],"acf":[],"_links":{"self":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts\/979"}],"collection":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/comments?post=979"}],"version-history":[{"count":0,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/posts\/979\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/media\/986"}],"wp:attachment":[{"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/media?parent=979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/categories?post=979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/tags?post=979"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/keywords?post=979"},{"taxonomy":"locations","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/locations?post=979"},{"taxonomy":"persons","embeddable":true,"href":"https:\/\/tranzit.org\/exhibitionarchive\/wp-json\/wp\/v2\/persons?post=979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}